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Gaby Moreno And Van Dyke Parks’ ¡Spangled! Out Today On Nonesuch

Collaboration features ten Pan American songs performed in Spanish, Portuguese, and English including “The Immigrants,” which was released last year and named one of the New York Times’Best Songs of 2018

“Parks’ arrangements on ¡Spangled! lift Moreno’s voice into a place that will delight and surprise her long-time fans as well as impress those who are just discovering her.” – NPR Alt Latino (Felix Contreras)

“It’s a pan-American collection of songs in English, Spanish and Portuguese, drawn from all over the hemisphere and rendered with cinematic, hallucinatory orchestrations, mixing past and present while always thinking about the American dream and promise. – NY Times (Jon Páreles)

“…un álbum que celebrara la migración del cancionero profundo del continente Americano.” La Banda Elástica (Vicente Jáuregui)

Nonesuch Records releases ¡Spangled!—a collaboration between Guatemalan–born singer-songwriter Gaby Moreno and American musician, songwriter, arranger, and producer Van Dyke Parks—today: October 4, 2019. The ten-song set celebrates the migration of song across the Americas and spans more than a century, including a bolero from Panama, a bossa nova from Brazil, and an elegiac ballad from the Southwest United States—Ry Cooder, John Hiatt, and Jim Dickinson’s Across the Borderline,” performed with Cooder and Jackson Browne. The album also includes one of Moreno’s own songs as well as the previously released track “The Immigrants byTrinidadian songwriter David Rudder (full track list below). Moreno tours the U.S. this fall, as part of Roots Rising! (complete schedule below). ¡Spangled! is available at the Nonesuch Store and iTunes; it is also streaming at SpotifyApple Music, and other digital service providers.

In choosing the album’s songs, “we didn’t want to focus just on Latin America,” Moreno says. “We could use songs from the U.S. as well. I look at it as one continent, the Americas. It was important for me to bring those two together—and it was also important, because of these difficult political times we are going through, to speak about immigration.”

Moreno and Parks first performed together a decade ago at L.A.’s Largo. Afterward, as Moreno recalls, “We had a really long conversation about how much we love this music and how amazing it would be to collaborate together.” They then began sending music back and forth via email. “He’d send me songs from Latin America that even I hadn’t heard, introducing me to a lot of music that I should have known. The next thing you know, we had ten songs.”

When Parks was invited to present a concert at the Roskilde Festival on July 4, 2010, he asked to have an orchestra, and Moreno, join him. “I decided to do all songs that were Pan American. I wanted to present the world before the era of ‘The Ugly American,’” he said. When they got back together recently to record this music, Parks brought in Cooder, guitarist Grant Geissman, percussionist Jim Keltner, and Browne; assembled string and wind sections; and also brought in the marimba player Matt Cook.

Gaby Moreno is a Guatemalan native who made Los Angeles her home almost two decades ago. She has established herself as a singer-songwriter with a repertoire incorporating blues, jazz, folk, and soul, performed in Spanish and English. She is a frequent guest on Chris Thile’s Live from Here public radio show. Moreno was awarded a Best New Artist Latin Grammy in 2013 and garnered a nomination for Best Latin Pop Album at the 2017 Grammys for Illusion. She also is the co-composer of the theme for Parks and Recreation.

Van Dyke Parks is a storied composer, arranger, and producer who has worked with artists ranging from the Mothers Of Invention to the Beach Boys—as well as Phil Ochs, Harry Nilsson, Little Feat, Inara George, and Joanna Newsom. He studied at the American Boychoir School in Princeton and later at Carnegie Tech, where Aaron Copland was one of his instructors. Parks has been an actor, a record executive, and composer and arranger on many Hollywood films. But it was in the early 1960s, when he was performing with his brother Carson Parks at coffee houses in Southern California that he began to explore and perform Latin American music in earnest



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